The Shanghai Moon Read online

  S.J.ROZAN

  TRAIL OF BLOOD

  EBURY

  PRESS

  Contents

  Cover

  Title

  Copyright

  Dedication

  About the Author

  Acknowledgements

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Ebury Press Fiction Footnotes

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN 9781407079158

  www.randomhouse.co.uk

  1 3 5 7 9 10 8 6 4 2

  Published in 2010 by Ebury Press, an imprint of Ebury Publishing

  A Random House Group Company

  First published in 2009 in the US by St Martins Press

  as The Shanghai Moon

  Copyright © 2009 by S.J. Rozan

  “You’re Nothing Without Me” From City of Angels Music by Cy Coleman. Lyrics by David Zippel Copyright © 1990 Notable Music Company, Inc. All rights administered by Chrysalis Music. All rights reserved. Used by permission.

  “Pretty Lady” From Pacific Overtures Music and lyrics by Stephen Sondheim Copyright © 1975 (renewed) Rilting Music, Inc. (ASCAP) All rights administered by WB Music Corp. All rights reserved. Used by permission.

  “Shanghai Lil” From Footlight Parade Music by Harry Warren. Lyrics by Al Dubin Copyright © 1933 Warner Bros. Inc. (ASCAP) All rights administered by WB Music Corp. All rights reserved. Used by permission.

  S.J. Rozan has asserted her right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988

  This novel is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner

  The Random House Group Limited Reg. No. 954009

  Addresses for companies within the Random House Group can be found at www.randomhouse.co.uk

  A CIP catalogue record for this book is available from the British Library

  The Random House Group Limited supports The Forest Stewardship Council (FSC), the leading international forest certification organisation. All our titles that are printed on Greenpeace approved FSC certified paper carry the FSC logo. Our paper procurement policy can be found at www.rbooks.co.uk/environment

  Typeset in Adobe Caslon by Palimpsest Book Production Limited, Grangemouth, Stirlingshire Printed in the UK by CPI Cox & Wyman, Reading RG1 8EX

  ISBN 9780091936365

  To buy books by your favourite authors and register for offers visit www.rbooks.co.uk

  For Barbara Seranella

  RIP, girlfriend

  S.J. Rozan was born and raised in the Bronx and is a long-time Manhattan resident. An architect for many years, she is now a full-time writer. Her critically acclaimed, award-winning novels and stories have won most of crime fiction’s greatest honours, including the Edgar, Anthony, Shamus, Macavity and the Nero Award.

  Praise for S.J. Rozan and the Bill Smith/Lydia Chin series:

  ‘To read S.J. Rozan is to experience the kind of pure pleasure that only a master can deliver’ Dennis Lehane

  ‘She has created a story in which the tension and intrigue never lets up. She constantly has you looking over your shoulder into the dark’ Michael Connelly

  ‘Rozan’s soaring imagination is breathtaking’ Jeffery Deaver

  ‘Two of my favourite characters in crime fiction…one of America’s finest crime writers’ Linda Fairstein

  ‘It’s an exquisite novel full of heart, soul, passion and intelligence…’ Lee Child

  ‘Combines the sure, controlled prose of Ross MacDonald with the fury of early Hammet. Now is the time to discover what Rozan’s loyal readership has known all along’ George Pelecanos

  ‘A real novel, full of soul, that soars far above the average mystery’ Martin Cruz Smith

  ‘A savvy series’ The New York Times

  Acknowledgements

  As always, I’m grateful for so much, including help and support from:

  Steve Axelrod, my agent

  Keith Kahla, my editor

  The Atlantic Center for the Arts

  Art Workshop International

  Steven Blier, Hillary Brown, Belmont Freeman, Eve Rudin, Max Rudin, Noah Rudin, James Russell, Amy Schatz

  Betsy Harding, Royal Huber, Tom Savage, Jamie Scott

  Susanna Bergtold, Nancy Ennis, Josh Paynter, Sui Ling Tsang, Joseph Wallace

  Peter Blauner, for advice he probably doesn’t remember giving

  Ruth Gruber, for knowledge

  Lee Hyla, for the right music and a lot of birds

  Guillermo Kuitca, for understanding

  B. G. Ritts, for priceless research

  1

  “I’m back.”

  I dropped my suitcase, slipped off my shoes, and listened to familiar Chinatown sounds spill in the windows. Horns honked, delivery vans rumbled. Mr. Hu’s songbird trilled from the roof next door. I heard a child squeal with laughter and her grandmother scold in Cantonese: Hold my hand, you bad girl, or that fish truck will squash you flat.

  And speaking of scolding in Cantonese, here came my mother.

  “Who are you?” She shuffled from the kitchen and peered at me. “You look like my daughter, Ling Wan-ju, but I haven’t seen her in a long time. She went to California. She said she’d be back soon, but she stayed. I’m happy she’s having fun.”

  My mother’s sarcasm could cut diamonds.

  “Two extra weeks, Ma. And they’re your cousins.” I kissed her papery cheek, which she grudgingly allowed. “Have a good time while I was gone?”

  “Your brother’s children are very noisy.” I have four brothers, but my mother rarely uses their names when she talks to me; I’m supposed to know which one she means. This time I did: Ted, the oldest. She’d stayed at his place in Queens while I was away.

  “But you had the downstairs apartment to yourself, right?”

  “I was fortunate it was emp
ty. It’s so dark, no wonder no one will rent it.”

  “I think Ted and Ling-an did a nice job on it.”

  “Too many rooms for one person. With such a big kitchen! Hard to find all the pots and pans.”

  “Did you cook?”

  “Your brother and his wife both work so hard, come home late. They order from restaurants. So expensive! I made har gow, and long-life noodles.”

  “I’ll bet the kids liked that.”

  “And so much lawn, so many useless flowers! I planted melons.”

  “You did?”

  “Your nephew helped.”

  I could see that scene: my mother in a straw hat, plants dangling from each hand while ten-year-old Barry dug and mulched. Luckily, both Ted’s kids adore her. They know her frowning and finger-wagging are scams to hoodwink malicious spirits into thinking her useless, disobedient grandchildren aren’t worth stealing.

  “Flushing. Pah!” my mother finished. “Too far away.”

  I sighed. She’d seen right through us. That apartment, far from being “fortunately” empty, had been built for her. My brothers and I think this fourth-floor walk-up we grew up in is getting hard for her to manage. But her refusal to leave Chinatown begins with a refusal to acknowledge she has anywhere to go.

  Jet-lagged, I didn’t have energy for this argument. “I’m going to unpack, Ma. Then I’ll tell you all about the wedding.”

  “You could have gotten married yourself, you were there so long. Have you eaten?”

  “Not yet.”

  “I made congee. There may be enough for two.”

  Detouring into the kitchen, I waved at old Chow Lun, leaning over the street from his usual windowsill. I lifted the lid from a steaming pot and found enough congee for an army. The table held bowls of chopped spring onions, pickles, and dried fish.

  My mother’s never liked fish in her congee. But I love it.

  While I unpacked, I called my office phone. No messages. Not that I’d expected any. Work was slow, and anyway I’d been checking in daily from California. Now, that might sound like I was waiting for a particular call, but of course I wasn’t. I especially wasn’t waiting for a call from Bill Smith, my former associate, then partner; former close friend, then almost-I-don’t-know-what, who’d done a vanishing act months ago after our last case together. The case, involving Bill’s nephew Gary, had ended badly. As his partner and close friend, I felt terrible for him and understood why he wanted no part of anyone for a while. But as his partner and close friend, it made me furious to be one of the people he wanted no part of.

  To the tune of my mother bullhorning Chinatown gossip across the apartment, I excavated my suitcase. I was down to the T-shirts when my cell phone rang. I grabbed it; the number was unfamiliar. Squashing down a pang of disappointment, I gave my name in both English and Chinese. Then I yanked the phone from my ear as an off-key tenor bellowed:

  “The stars that hang high

  Over Shanghai

  Bring back the memory

  Of a thrill!

  I’ve been looking hiiiiigh, and I’ve been looking looooow,

  Looking for you, Shanghai Lil!”

  “Stop! Pilarsky, your singing has not improved.”

  “Hey, it wasn’t ‘Lydia the Tattooed Lady.’ I thought you’d be happy. How are you, Chinsky?”

  “Oh, I’m fine.” I sighed. “How are you? What can I do for you? And what was that?”

  “Footlight Parade. Busby Berkeley, Cagney, Keeler. One of the greats. And me, I could be worse. I’m still in business. Are you? If yes, it’s not what you can do for me, it’s I have a job for you.”

  “Doing what?”

  “Do I know? A client wants someone who can, quote, operate discreetly in the Chinese community.”

  “So why did he call you?”

  “Apparently, because I speak Yiddish. And he’s a she.”

  “I don’t—”

  “I don’t either. Come to the Waldorf at four and we’ll both find out.”

  “Today?”

  “Of course today.”

  “Well . . .” Chasing to a meeting with Joel Pilarsky when I’d just fought my way in from JFK wouldn’t have been my first choice; but work is work. “Okay.”

  “Good girl. I’ll be lurking behind a potted palm.”

  I bristled at the “girl,” but Joel was on the far side of sixty, and I was in fact younger than two of his three daughters.

  As I clicked off, my mother’s face floated around the doorjamb. She must have been in the hall, responding to a sudden need to rearrange the linen closet or straighten the family photos. “Who was that? You were talking about work. Was that the white baboon?”

  “Bill? No. I haven’t heard from him in a while.” I busied myself with my suitcase. “That was Joel Pilarsky. You’ve met him. I helped him last year when he was looking for that Jewish lady who ran off with the Chinese restaurant owner.”

  “In Flushing, I remember! Nobody in Flushing is busy enough, so they make trouble for themselves.”

  Well, mentioning that was obviously a mistake. “Anyway, Joel has a job for me. I’m meeting him later.”

  “Today? He’s sloppy. He gives you orders. And he sings. You get a headache when you work with him.”

  “Only when he sings.” She makes a point of not listening when I talk about work, so how does she know this stuff? “And it’s good to have work. Keeps me busy.”

  “Pah. Keep busy so you won’t think about who isn’t calling you.”

  “Ma! You don’t even like Bill. And I haven’t called him lately either.”

  “If you never call him again, your mother and your brothers will be happy. But for him not to call you? He values himself too highly. Make you go all the way to California.”

  “I went to California for Jeannie Chu’s wedding.”

  “A month for a wedding?” Her pursed lips told me what she thought of that. Then she waved away the annoying gnat of Bill. “When do you have to go to your job today?”

  “Two hours. Plenty of time to shower and change. But first, let’s have some congee.”

  Probably taken in by the charcoal silk pantsuit that was my mother’s handiwork, the Waldorf doorman actually smiled at me. In the carpeted, chandeliered lobby, three men conferred over PDAs, no doubt scheduling a very important meeting. A graceful woman rolled a suitcase toward the door. Even the two little boys waiting while their parents checked in wore button-down shirts and were behaving themselves.

  In a club chair to my right I spotted Joel, not behind a potted palm but beside one. Silver pots and porcelain cups clustered on the coffee table between him and a neat, plump woman. Joel looked a little chubbier, a little balder than last time I’d seen him, but, with both his yarmulke and his tie askew, his hurried, preoccupied air was the same.

  The woman, smiling and saying something, looked slightly younger than he. Allowing for facials, makeup, and the general care we women take of ourselves, that probably meant she was a few years older. She’d smoothed her graying hair into a neat bun. My mother would have approved of the twill cloth and conservative cut of her dark green suit.

  Joel popped up, banging his shin as he came around the table. “Great to see you, Lydia. Lydia Chin, Alice Fairchild.”

  Alice Fairchild stood and shook my hand. She wasn’t much taller than I: five-four, maybe, or five-five. “I’m delighted you’re available, Ms. Chin. Joel tells me you’re just the woman I need.”

  “I hope so. And please, it’s Lydia.”

  Joel manhandled a chair over. “Sit. Have some coffee.”

  “Is there tea?”

  “Oh, good!” Alice Fairchild reached for a pot. “I always feel so lonely among coffee drinkers. Lydia, how do you take it?”

  “Milk, no sugar, please.”

  “I have to thank you both for making yourselves available on such short notice.” She placed a tiny spoon on the saucer and handed me my tea. “As I was just telling Joel, he was recommended by a contact in Z
urich. And of course you, Lydia, were recommended by him.”

  “Alice is an attorney,” Joel said. “From Switzerland.”

  “Semiretired. I only take cases of particular interest now. My bread and butter was estate planning for fellow American expats. A little boring.” She smiled. “But I have a rarefied specialty: recovery of assets for families of Holocaust victims. My office is in Switzerland for that reason: As Willie Sutton said about robbing banks, that’s where the money is. Most of it. But from time to time, something turns up somewhere else.” From a slim briefcase, she handed us each a set of papers. “If you don’t mind, I’d like you to look at these.”

  On top was a Xerox of an old photograph. A teenage girl, in the knee-length skirt and round-toed pumps of thirties movies, stood with a boy a few years younger. One hand held down a hat threatening to take off in a wind that slanted his tie and stirred her curly hair; the other seemed to hold down the boy himself, who radiated affable impatience. Their conspiratorial smiles as they indulged the photographer reminded me of my brothers and me.

  The next page was another Xerox, of a handwritten letter. A typed notation at the top margin said, “Jewish Museum, Holocaust archives. Rosalie Gilder to her mother, Elke Gilder, April 14, 1938.”

  “This looks like German,” I said. “I don’t—”

  “Oh, I’m sorry,” said Alice Fairchild. “The last page is the translation.”

  I flipped the pages. From neat typing, I read:

  14 April 1938

  Dearest Mama,

  I write from the deck of the Conte Biancamano as we are putting out to sea. A salt wind is blowing and the sun shines with a power I’ve never seen. Oh, how I miss you, Mama! From this moment I shall write often and tell you everything, exactly as you requested. Paul teases me that my inability to keep silent and my love of setting pen to paper would assure that you’d be flooded with letters, whether you’d requested them or not! And he’s right, of course. Though this letter, and its fellows to come, could remain unwritten, could go to blazes for all I care, if only you were with us!

  I couldn’t write from the train, Mama. No one aboard could think of anything but how each passing meter brought us closer to the border. What weak conversation there was stopped completely each time the train did. Everyone was terrified that the Gestapo—who came aboard twice—would find something wrong in our papers, and remove us. Such downcast eyes and timid voices! Even mine, Mama, even mine. Choking on my fury—yes, and my fear—I sat, the soul of meekness, showing Paul’s papers and mine as commanded, otherwise silent. But all the passengers were the same; even the youngest children sat frozen, clutching their parents’ hands.